price tag value

sound engineer artist call out

practice is looking for sound engineer artists interested in creating a 15 minute immersive meditative soundscape for a show on The Imposter podcast (part of Canadaland: http://canadalandshow.com/imp). This would be a recorded piece and the artist will be paid for their effort (although I do not know how much at this moment). Please email janntomaro@gmail.com if you’re interested.

camp haze




the rules

vacancy



rock bottom

i carry it
metaphorically
metamorphically

associate objects
of past moments
i keep them with me

it’s heavy
not easy
a real physicality to burden

i’m a rickshaw puller, carrying this past
this past, the passenger
sitting passive, stagnant
beauty built on being fluid, now rigid

we are sad arthritic hands, wishing for our looser days
and wasting what movement we have left
desiring what we once had

we can’t have what we had

we make anew

leaving messages

what kind of life?

35 b and w roll developed in a motel bathroom

empty landscapes

motel emotion

deco

what is a thought? what is a horizon?

those eyes

the line

in the middle of it all

Image

a carnival of gestures


assessing situation

the silhouette

the Shadow

narrow margins

understanding fear

layering consequence

filling in the gaps

crayons and protocols  

unapologetic decline

studio window

right time                        right place                   right light                      right angle

Video

Canning

a stop animation film, inspired by street culture and human remnants.

back when you could just do stencils

photos of photos

layers of contact

practice #17: grkzgl

practice #17: grkzgl
saturday, september 9th, 4pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

sometimes harsh, sometimes technical, sometimes scented, practice has been experimenting with sound in a myriad of ways to influence the psychological state of the listener. in this special upcoming set, we let go of specific mind-altering intentions and return to a foundational goal of meditation. rather than adhere to one of the numerous schools of meditation, we encourage any (including new) forms of meditation that suit the listener. for this edition of practice, local sound maker grkzgl will provide a self-evolving sonic environment that is conducive to contemplation by layering and modulating a number of arbitrarily tuned and processed synthesizer voices. in a well of low resonant tones, we offer a time and space for you. come sit and be immersed in sound together and see where your thoughts go (or don’t go).

more info on grkzgl here: grkzgl.blogspot.com
…….

we have yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please. uniquely for this event will be the availability of chairs.

never apart is a non-profit organization in montréal, québec, canada, determined to bring about social change and spiritual awareness through cultural programming with global reach and impact.
more info on practice, here:.
we are on facebook.

questions about the event can be directed to: janntomaro@gmail.com

practice 16: detune

Photo credit: Pasha Marrow

#16: detune
saturday, august 12nd, 4pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

Sasha Ford – Detune

My sound practice investigates the embodied effects of psychological experience within the realm of auditory environments. In the form of performances, recordings, and installations, I create somatically immersive and rhythmically sensitive sound works guided by improvisation, intuition, and a sense of surreptitious musicality. I attend to physically demanding aspects of sound upon the body, such as volume and frequency, and at once invite a sense of narrative that sits liminally between the concrete and the abstract, the imagined and the unremembered. To date, these pursuits have taken the form of using repurposed objects, tape machines, and field recordings in collaboration with architectural space and with consenting bodies–whether my own or those of others. Through these explorations, I aim to provoke sensory awareness and modes of corporeal recollection that navigate a tension between therapeutic and disarming in effect.

For my performance as part of the “practice” series at Never Apart, I will build upon my interests in the intersection of sound, psychology, and the body specifically by exploring the tuning fork as an object of political and acoustic resonance. Employed in late 19th-century psychological research by the French neurologist Jean-Martin Charcot, tuning forks were used as a hypnotic means to induce cataleptic episodes in female patients. Sounded at high volumes in close proximity to a patient’s ears, such practices are now understood as one of many injurious treatments for the no longer medically-recognized condition of “female hysteria.” Yet, the status of tuning forks as an object of healing continues to this day, being seen within certain alternative medicine circles as provoking restorative vibrations within the body. From a place of fascination with the object’s dual status as a corrective instrument in the realm of medicine and in musical pitch, for “practice” I will create a listening environment with acoustic tuning forks and digital resonators. Specifically, I will explore the resonance of 64 hz tones (C2 in scientific pitch notation), a pitch Charcot that describes using to induce hypnosis in “major hysterics.” By purposely sounding and manipulating this tone, I aim construct a listening environment that critically appropriates and reworks this disciplinary and gendered history, and functions as a form of transhistorical communion with these “hysterical” women of the past. In doing so, I aim to inquire into the healing properties of vibrational resonance and of the 64 hz tone in particular, which in its low frequency invites listeners to connect to a sense of groundedness, the Earth, and self-observation of the body.

for more on this artist, see here: www.sashaford.com

…….
we have yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please. uniquely for this event will be the availability of chairs.

never apart is a non-profit organization in montréal, québec, canada, determined to bring about social change and spiritual awareness through cultural programming with global reach and impact.
more info on practice, here:.
we are on facebook.

questions about the event can be directed to: janntomaro@gmail.com

practice 15: adam basanta

practice #15
saturday, july 22nd, 4pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

sound artist and experimental composer adam basanta will create an in-situ improvised sets of minimal, slow evolving music. Straddling the line between the meditative and the ecstatic, the two sets will combine sine wave beating patterns, field recordings, white noise, and polymeric rhythms, spatially distributed throughout a DIY surround sound system.

for more info on adam basanta pls see here.

…….

we have yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please.

never apart is a non-profit organization in montréal, québec, canada, determined to bring about social change and spiritual awareness through cultural programming with global reach and impact.

more info on practice, here:.
we are on facebook.

questions about the event can be directed to: janntomaro@gmail.com

practice 14: focal//global

practice 14: focal//global
saturday, june 10th, 5pm, free entry 7049 saint-urbain
we would like all guests to be able to participate, so pls arrive early. seating is limited and first come, first served. this event will start on time.

on june 10th michael palumbo, from york university, joins us for a special meditation. without divulging the mysterious plans of this talented sound artist, it should be emphasized that this set will take advantage of the two-story space at never apart and is designed to provide an auditory experience that is unique for each listener. this meditation will be 40 minutes in length.

palumbo designs a context-oriented set that considers the spatial positioning of each participant and plays with the contrast of focal and global listening to facilitate a meditative intention. listeners are given ample opportunity to oscillate between these two auditory receptions.

focal listening happens when you focus on a single sound, like breath, to follow where it comes from and where it is going. take your time and get to know it well. then let your attention shift to the global sound, one’s environment. listen to this for a while, and then begin to fold your single sound into a conversation with the whole. then go on to another single sound and repeat the whole process. the context of each listener becomes known through the personal interaction with one’s position in the space. together we share this experience of listening, contributing our attention, shaping the sound waves that reach each other. yet we each have an individual listening experience and a unique impact on the global happening.

this meditation promises to be subtle yet powerful.
more information on michael palumbo here

…….
we have yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please. uniquely for this event will be the availability of chairs.

never apart is a non-profit organization in montréal, québec, canada, determined to bring about social change and spiritual awareness through cultural programming with global reach and impact.
more info on practice, here:.
we are on facebook.

questions about the event can be directed to: janntomaro@gmail.com

practice 13: Tunnel. a listening session

 

practice 13: Tunnel, a listening session
saturday, may 13th, 5pm, free entry 7049 saint-urbain
we would like all guests to be able to participate, so pls arrive early. seating is limited and first come, first served. this event will start on time.

practice deviates from its habitual format to introduce a unique listening session of a 50 minute recording titled Tunnel by Jen Reimer and Magnus Tiesenhausen.

In late September of 2015, Jen Reimer and Magnus Tiesenhausen stumbled upon an underground concrete enclosure in a construction site in Montreal. Over the course of the next three weeks, they recorded the sounds of their own voices and actions in the tunnel, transformed and influenced by the architectural dimensions of the space.

The tunnel became a mutual meeting place, and the process by which the two would navigate there each night consisted of a complex repeated pattern of recognized landmarks. A beam of light crossing the path, a downed chain link fence, a swamp’s edge: all directional indications. This ritual of recognition inundated the tunnel pieces, becoming a magic decision-making process which formally structured the recordings.

The resonance of the abandoned space served as a type of prosthetic communication, translating the artists’ voices to the plane of reverberation and resonant frequency, and guiding their actions within the space. The absolute darkness within the tunnel reduced the two to sound sources, each movement of their bodies generating ten-second reverberations, from which certain frequencies would surface and linger. The aural artifacts of the space rendered speech incomprehensible. The artists were only able to communicate in relation to the tuned frequencies in constant ricochet. As a result, the compositions materialized in real time. The melodies and harmonies recorded are human explorations of a complex audio world, aleatoric representations of the energy and physicality of the space.

The sound captured by Reimer and Tiesenhausen in September/October 2015 culminated in a fifty-minute piece, simply titled ‘Tunnel’.

Jen Reimer is a sound artist, musician and performer based in Montréal. Her work explores the resonances of urban environments through in-situ performances, installations and spatial recordings. More here

Magnus Tiesenhausen is an interdisciplinary artist and musician based in Alberta. His work is a multi-angle treatise on magic energy, characterized by experimental and industrial synthesizer music; craft and sculpture processes; readymades and free drawing.

late night television

late-night-television

I want to speak to sexuality in secluded places, tiny rooms and dark parks, rough conversations about misinterpretation and emotion.  I want you to think the thought, of a tiny flicker, of individual humanity that can exist at the interface of imagination. I saw two girls touching each other on late night television, seemingly enjoying the experience, which I suppose aroused an adolescent reaction in me. But there was no replay in those days so I just let it be a moving event, but that moment in time still bleeds through the layers which have piled on top of it. There is a fascinating clarity to the lack of immediate understanding, by the replacement of thoughts with feelings. A solitary experience viewed, remembered.  Sitting in a dark room with a flicker of light wondering if anyone was thinking the same thing as I was, feeling the same way I felt. 

grit

two-pieces-of-wood-and-a-brick-wall-2016-for-the-internet

chain-link corner

over-lay-fence-2016-for-the-internetleaning in over our balance

anticipating the soft blow

 

practice 12: core values

practice #12: core values
saturday, april 29th, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

sound artist dominique alexander skillfully plays with memory and recall curating two sets using foley type sounds from personal, found and field recordings, mixed with melodic and rhythmic elements from a variety of sources. layering ambient and atmospheric airs, alexander fills an audio bath of dub echoes where micro samples bubble up to the surface and get pushed back down, reemerging again in changed configuration. toying with the comfort that repetition and familiarity bring about, alexander invites an atmosphere of awareness with focus on pattern recognition and recall. through sound, alexander fosters an environmental that nurtures meditative presence and the renewal of presence again and again.

dominique alexander performs solo as buffalo mri and as a two-piece called urlapse with her longtime collaborator joshua bastien. 

join this event on facebook, or dial into the series by following our page on facebook.

 

practice #11: scent and sound

saturday, april 22nd, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time.
seating is limited and first come, first served.

sound artist jeremy young pairs up with scent artist and zen buddhist chaplain in training alex beth to guide a collective meditation through scent and sound.

scent is one of our strongest senses in its ability to recall images, memories and distant forgotten moments, as well as to forge new kinds of relationships . when combined with meditative sonic blankets, we are deeply excited to explore what new landscapes this compound might evoke.

awareness of the memories and emotions recalled when introduced to the associated scents and sounds can give us glimpses into our many ways of being in relationship to the world… past, present and future.

in two sets, a subtle narrative is created through sounds by young and scents by alex beth. using materials from the jean talon market, alex beth strays from essential oils and employs techniques such as toasting, cracking, stewing and simmering to open and disseminate fragrances, while young moves between a variety of instruments, objects and electronics to sew together a floating cloud of minimal noise.

hear more from the artists on the internet, here and here

join this event on facebook, or dial into the series by following our page on facebook.

questions about this event can be directed to noisemeditation@gmail.com

 ———————————————————————————

samedi 22 avril à 17h
entrée gratuite
never apart
7049 saint-urbain

nous aimerions que tous les invités puissent participer, arrivez à l’heure svp.
les places sont limitées, premier arrivé, premier servi.

l’artiste sonore jeremy young s’associe avec l’artiste des odeurs et l’aumônière bouddhiste zen alex beth pour guider une méditation collective à travers l’odeur et le son.

l’odorat est l’un de nos sens les plus forts dans sa capacité à rappeler des images, des souvenirs et des moments lointains oubliés, ainsi que de forger de nouveaux types de relations. lorsqu’ils sont combinés avec des couvertures sonores méditatives, nous sommes profondément ravis d’explorer quels nouveaux paysages ce composé pourrait évoquer.

la prise de conscience des souvenirs et des émotions rappelés lors de l’introduction des parfums et des sons associés peut nous donner un aperçu de nos multiples façons d’être en relation avec le monde … passé, présent et futur.

en deux ensembles, un récit subtil est créé par des sons de jeremy young et des parfums par Alex Beth. Utilisant des matériaux du marché jean-talon, alex beth vagabonde entre diverses huiles essentielles et emploie des techniques telles que le grillage, le craquage, la cuisson pour ouvrir et diffuser des parfums, tandis que Young se déplace entre une variété d’instruments, d’objets et d’électroniques pour coudre un nuage flottant de bruit minimal.

 

 

practice #10: layered in synth trance

practice #10: layered in synth trance
saturday, march 25th, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

talented artist matthew stinis sets up an ambient languid cloud with layers of synth, allowing listeners to rest busy thoughts and become slow in their personal reflection. this meditation employs a immersive sound with a subtle narrative to capture the attention and provide a focal point. minimal changes help to reinvest in awareness without providing content to distract. 

stinis is known for his experimental, industrial noises that incorporate lower frequencies with powerful transporting vibrations. with drone sets that nod to noise music, stinis uses reverb, loops, and pitch shifting to evolve the sound. this set has the potential to gently guide listeners through a visceral-auditory sensation into a transformative state of deep relaxation.

learn more about the talented sound artist matthew stinis, here.

join this event on facebook, or dial into the series by following our page on facebook.

 

a mind picnic in space

for-the-internet-1 for-the-internet-2

art school

tiles2 tiles3

ceramic tiles

practice #9: collection of small moments

 

practice #9: collection of small moments
saturday, march 18th, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

multidisciplinary artist emilie payeur tones it down in two very minimal sets that focus on meditation of present moment. the sounds of the room serve as the medium as payeur uses loops and overdub to capture the moment and then create, recreate, layer and add each present moment to the next. by listening to this collection of small moments, the listener pays attention to the little sound events that would usually go unnoticed. in a second set, payeur uses the familiar dtmf tones from an old telephone to integrate everyday noises into a relaxing, meditative drone. 

payeur immerses us in our own soundscape, connecting us to the noises of our lives. through awareness of the sounds in which we swim we are better able to notice their influence on us.

learn more about the talented sound artist emilie payeur, here.

join this event on facebook, or dial into the series by following our page on facebook.

practice #8: fractals and kittens

 

practice #8: fractals and kittens
saturday, february 25th, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

deep listener and talented soundscape artist christian carrière has designed two conceptual sets pulling and pushing ideas to explore their influential capacity. join in sacred geometry and an immersive purring room. 

the first set will explore the possibilities of audio fractals as compositional loops. fractals are pattens made up of smaller versions of the same pattern. there is discourse on the healing nature and meditative quality of fractals, as well as potential to mitigate effects of tinnitus. in this set, loops made from various sources (no-input console, field recordings) are structured in self-similar patterns, like audible versions of the fractal shapes we see in nature.

set two explores the deep resonance of cats’ purring, known to have the potential for tissue healing and cell regeneration. captured with modified stethoscopes and lavalier microphones, the set will move through tonal variations of purring from different cats. 

learn more about the talented artist christian carrière here.

join this event on facebook, or dial into the series by following our page on facebook.

 

super moon

super-moon-4 super-moon-5 super-moon-2016

concept, you and me.

practice #7: resounding echoes return

practice #7: resounding echoes return
saturday, february 11rd, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. seating is limited and first come, first served.

 james goddard (from skin tone) is a talented experimental saxophone player who has designed a set of resounding echoes and their return; an oceanic sound to bathe in, and breathe in. with single saxophone notes projecting from each corner, goddard guides this meditation from all sides, using guitar amps to create a 4-channel surround sound installation. goddard plays with the interaction between tones, using a distance that is far enough to be just audible when the tones meet. this powerful soundscape immerses listeners in noise from all directions, giving multiple perspectives on sound. as our spatial perception of noise alters our understanding of noise and our felt sense of that noise, listeners can tune into the different angles of sound and associated influence that follows.

there are three broad types of meditation, focusing, awareness and transcendental. this meditation was designed to be accessible for all three types. listeners can practice a focusing meditation using the noise as a focal point. or, practice an awareness meditation by opening up to the many differences within the sound and tuning into the influences these differences have on the self. deep engagement with the noise and self may lead to a transcendental experience, although we are less inclined to suggest a plan to transcendence. you’ll have to figure that out on your own.

come listen and share this experience. 

learn more about the exceptional sound artist james goddard here or here.

join this event on facebook, or dial into the series by following our page on facebook.

practice #6: lone tone

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practice #6: lone tone
saturday, december 3rd, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time.

certain frequencies have been known to have a powerful effect on listeners. tones from the ancient solfeggio scale are said to have transformative impact, such as healing, repairing, inspiring creativity, maintaining focus, altering moods, calming the mind, and sparking love. these tones have been used in historically sacred music, such as in gregorian chants. in this session sound artist jeremy young uses a durational experience with one lone tone. this provides an intimate listening allowing for the effect of the tone to become apparent. in two 25 minutes sets, young explores single frequencies using a tone generator, incorporating tape loops of amplified breath and oceanic waves to facilitate a meditative soundscape.
this may not be easy listening, but by giving up the easy we allow for the potential to go deep.

more on the artist jeremy young, here: http://cargocollective.com/jeremyyoung

join this event on facebook, or dial into the series by following our page on facebook.

practice #5: polarities

unspecified
practice #5: polarities
set design by sound artist mikael tobias
saturday, november 12th, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time. 

 

for every action there is an equal and opposite action

this set employs low tones and high frequencies, steady rhythms and stochastic beats. a pillow of soothing filtered white noise punctuated with brain stimulating sonic accents. intimate tones are juxtaposed with informal sounds and durational themes are met with new synthesis.

throughout it all, tobias weaves a meditative rhythm into the set.
studies of experienced meditators have shown that in their meditative state, they take an average of 6 breaths per minute. This slowed breath has been linked with a host of health benefits and reflects a lowered heart rate and calm serene state of being. with this in mind, tobias employs a rhythm of 6 beats per minute to create an immersive soundscape imitating the meditative breath rate of a practiced meditator.

feel everything, feel nothing, feel something.
see you saturday

more on the artist mikael tobias, here: http://www.mikaeltobias.com

we have a few yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please.
never apart is a non-profit organization in montréal, québec, canada, determined to bring about social change and spiritual awareness through cultural programming with global reach and impact.

join this event on facebook, or dial into the series by following our page on facebook.

Halloween is here

fx08xvqqqs

practice #4: visceral realities

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practice #4: visceral realities
saturday, october 15th, 5pm, free entry
never apart
7049 saint-urbain
we would like all guests to be able to participate, so pls arrive on time.
 
pushing his knowledge of filtered noise, low frequency tones and rhythmic impulses, sound artist mikael tobias opens the possibility for aural and visceral connections to noise in a way that provides an immersive and potentially state altering experience. without being wayward, tobias departs from musical expectations with discrete changes in an otherwise minimalist set that encourages fresh engagement with an unconventional soundscape.
 

more on the artist mikael tobias, here: http://www.mikaeltobias.com

we have a few yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please.

never apart is a non-profit organization in montréal, québec, canada, determined to bring about social change and spiritual awareness through cultural programming with global reach and impact.

join this event on facebook, or dial into the series by following our page on facebook.

practice // quiet village // new paltz, new york

practice goes to quiet village, a free ambient music “anti-festival” this weekend. 
come join us.

hear the set, featured on berlin community radio, here.

unnamedjesse

the set:
noise artists nic fera and jesse perlstein mix field recordings of daily noises with constructed tones to create an immersive soundscape that re-imagines reality.

inspired by schuman resonances, known as the earth’s natural soothing vibrations, fera and perlstein begin building the set with low, healing tones. they destroy this sense of peace with sounds associated with chaos and consumerism. however, the introduction of these anxiety-producing noises is quickly transformed. implementing filtered white noise, fera and perlstein offer a new experience, mixing and fading the stigmatic sounds in a way that calms and comforts. there is a sense of presenting difficult noises with ease, as a friendly introduction to disagreeable sound. fera and perlstein suggest alternative ways of experiencing life, revealing peaceful attributes of rifts in the midst of the dissonance that surrounds us. as the set reaches a point of surrealism, an addition of vocals grounds the listener to a more personal interpretation of the tones.

by inviting the chaos and uncomfortable noises of our lives, this set does not avoid reality, yet transcends our rote engagement with the soundtrack of our lives. these difficult noises ask the listener to exert more effort to find a place of comfort in the sounds that don’t mesh harmonically. but this is not without the guidance of experienced sound artists who build a pillow of comfort throughout the set to help the listener navigate the unfamiliar aural landscape. wandering through known sounds that don’t fit a specific narrative lacks an intuitive direction. this helps the listener to loosen up associations, connect to focused tones and bring awareness to thoughts. it allows for creative reign. the dichotomy of real and made noises encourages agency within the listener to assign their own associations to the noises of their life. there is the possibility to find comfort in these noises and be soothed in their presence. this re-association of our stressful environment may be generalizable to life to provide a new way of dynamically interacting with reality.

bringing elements of reality into a simulated soundscape, fera and perlstein give listeners imaginary power that is hyper real and yet beyond real, even fantastical.

what is quiet village?
the hudson valley’s free “anti-festival” of ambient music, the quiet village promotes serious ambient electronic music composers and sound artists, presenting environmental music in an outdoor setting that bypasses the traditional concert format and gallery installation paradigm.

presented by the poné ensemble for new music, in conjunction with earwaker studio and the coterminous collectiv.

trespassing

 

 

 

 

 

anticipation tease

so

i want you to think about the open road

i want you to think about the people behind these signs

I want you to think about the thing that is going to happen next

 

ornamentation


truck 1 abstracttruck 2

Image

night walks

#1 #2 #3

recycling dunes

scrap pile 2 scrap pile number 1

Windows Wells

window 1 for the internet
window 3 for the internet window 4 for the internet window 6 for the internet

the contrast

for the internet 3for the internet 2

pump it up

this sale 2016 for the internet

practice #3: abstracting the physical

morning static (online version)
practice is an investigation of the capability of sound to induce different transcendental states of awareness and being. 
 
practice #3: abstracting the physcial
sunday, september 11th, 8pm, free entry
820plaza (6820 marconi)
we would like all guests to be able to participate, so pls arrive on time.
 
building on material from his first session, sound artist mikael tobias explores the psychoacoustic properties of elemental sound to bring attention to their physicality. manipulating filtered noise, low frequency tones and rhythmic impulses, tobias creates an environment where visceral reactions to sonic space can catalyze alterations in mental state. through a corporeal engagement with noise, there is a continual investment in the present that detaches the mind from thoughts and allows for new experiences to emerge. the absence of traditional harmony creates the possibility to let go of musical expectations, encouraging a state of awareness and acceptance.
 
more on the artist mikael tobias, here: http://www.mikaeltobias.com
 
 
we have a few yoga mats available to use and listeners are invited to bring their own sitting paraphernalia if they please.
 
 
820plaza is a sparse industrial multi-purpose venue. the venue is wheelchair accessible, but the washrooms are not fully accessible. however there are accessible washrooms just across the path at alexandraplatz.

 

join this event on facebook, or dial into the series by following our page on facebook.

practice

an experiment.
a noise project.
a guided meditation.

no experience required.

gradient4.5

we don’t mind if you’re new or old to noise or meditation.
if you’re curious to be engaged, to open yourself to new experiences and to hear some noise, then join us.

practice is a series of  group meditations using noise to induce different transcendental states of awareness and being. this meditative noise series was inspired by the theories underpinning sound healing and brain entrainment. research has shown that sound frequencies can impact physical phenomena to the point of transforming the molecular structure of matter.  from this spring board, sound healers were interested in how the natural vibrations of the body are affected by the frequencies of sound. it has been seen that certain frequencies encourage different experiential states, such as divinity, balance, and focus, among others. the solfeggio scale, a 6-tone scale that was used in Gregorian chants is tuned to frequencies that are known to alter states and induce a connected sense of spirituality. in addition,  research on brainwave entrainment theory has gathered substantial evidence showing that brainwaves, which correspond with our mental states as well as our vigilance to consciousness, are influenced by rhythms, pulsations and specific frequencies. thus through sound, we can alter our cognitive and emotional states and we can bend our sense of reality.

wanting to know for ourselves, practice is a serial investigation of the transcendental properties of different frequencies and rhythms. each session features a noise artist, who, informed by their own knowledge of sound and the principles of transformative frequencies, creates a meditative set intended to experiment with the possibility of altering the state of listeners. but we cannot do this alone. join us  and explore your own awareness of noise, space and being.

what to expect:
each session will be different, but will have noise, a guide, a sitting area and a hope that you will engage in listening in an open, meditative, exploratory way.

the series.

find us on facebook.

artists who would like to be involved in future sets, please email me: janntomaro @ gmail.com



practice #2: specific frequency

teal wall 4 ( online version)

practice #2: specific frequency
sunday, august 7th, 8pm, free entry
820plaza
we would like all guests to be able to participate, so pls arrive on time.

certain frequencies have been known to have a powerful effect on listeners. in this session sound artist jeremy young will have two sets, 25 minutes each, exploring the frequencies 528hz and 741hz, using a tone generator, tape loops of amplified air and a reverb rainbow machine. this may not be easy listening, but it will certainly affect your mood in a positive way.

528hz, named “mi” in the solfeggio scale, is considered the “love” frequency, capable of miracles. it has been ascribed to divine supernatural powers and is attributed to inspiring wonder and marvel. in addition, it is used to return human dna to its original, perfect state. repaired dna is expected to increase energy, bring clarity and awareness, activate creativity and induce ecstatic states of peace and celebration.

741hz, “sol” in the solfeggio scale, is known to be a purifying frequency, cleansing cells from toxins, electromagnetic radiation build up, and infections (viral, bacterial and fungal). it leads listeners to a healthy, simple life. it is also known to encourage problem solving and self-expression.

more on the artist jeremy young, here: http://cargocollective.com/jeremyyoung

join this event on facebook, or dial into the series by following our page on facebook.