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i carry it
of past moments
i keep them with me
a real physicality to burden
i’m a rickshaw puller, carrying this past
this past, the passenger
sitting passive, stagnant
beauty built on being fluid, now rigid
we are sad arthritic hands, wishing for our looser days
and wasting what movement we have left
desiring what we once had
we can’t have what we had
we make anew
filling in the gaps
crayons and protocols
right time right place right light right angle
a stop animation film, inspired by street culture and human remnants.
I want to speak to sexuality in secluded places, tiny rooms and dark parks, rough conversations about misinterpretation and emotion. I want you to think the thought, of a tiny flicker, of individual humanity that can exist at the interface of imagination. I saw two girls touching each other on late night television, seemingly enjoying the experience, which I suppose aroused an adolescent reaction in me. But there was no replay in those days so I just let it be a moving event, but that moment in time still bleeds through the layers which have piled on top of it. There is a fascinating clarity to the lack of immediate understanding, by the replacement of thoughts with feelings. A solitary experience viewed, remembered. Sitting in a dark room with a flicker of light wondering if anyone was thinking the same thing as I was, feeling the same way I felt.
i want you to think about the open road
i want you to think about the people behind these signs
I want you to think about the thing that is going to happen next
a noise project.
a guided meditation.
no experience required.
we don’t mind if you’re new or old to noise or meditation.
if you’re curious to be engaged, to open yourself to new experiences and to hear some noise, then join us.
practice is a series of group meditations using noise to induce different transcendental states of awareness and being. this meditative noise series was inspired by the theories underpinning sound healing and brain entrainment. research has shown that sound frequencies can impact physical phenomena to the point of transforming the molecular structure of matter. from this spring board, sound healers were interested in how the natural vibrations of the body are affected by the frequencies of sound. it has been seen that certain frequencies encourage different experiential states, such as divinity, balance, and focus, among others. the solfeggio scale, a 6-tone scale that was used in Gregorian chants is tuned to frequencies that are known to alter states and induce a connected sense of spirituality. in addition, research on brainwave entrainment theory has gathered substantial evidence showing that brainwaves, which correspond with our mental states as well as our vigilance to consciousness, are influenced by rhythms, pulsations and specific frequencies. thus through sound, we can alter our cognitive and emotional states and we can bend our sense of reality.
wanting to know for ourselves, practice is a serial investigation of the transcendental properties of different frequencies and rhythms. each session features a noise artist, who, informed by their own knowledge of sound and the principles of transformative frequencies, creates a meditative set intended to experiment with the possibility of altering the state of listeners. but we cannot do this alone. join us and explore your own awareness of noise, space and being.
what to expect:
each session will be different, but will have noise, a guide, a sitting area and a hope that you will engage in listening in an open, meditative, exploratory way.
find us on facebook.
artists who would like to be involved in future sets, please email me: janntomaro @ gmail.com
Silence evaporates like puddles
Clay left until it cracks
Pointless to stay
Strange to walk away
Who am I to say regret exists
There are tears in all our eyes
Thoughts like dust
On a dirt road
Hung in the air
Particles moving apart
The chaos that will ensue
That is correct
A man on a plane told me that he preferred the west because the twilight lasted longer. I understood what he meant but I think I prefer the sunlight as long as possible.